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Where Artists Gather - And Art Breaks

open discussion:gallerists and artists

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open discussion:gallerists and artists

where gallery owners can speak openly about the art they show, find new artists and new trends and where artists can ask them questions and get advice with no agendas

Members: 36
Latest Activity: Aug 31, 2011

Discussion Forum

Why a brick & morter gallery? 11 Replies

Started by Lou Marek. Last reply by C. Avery Apr 24, 2010.

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Comment by Ken Ohahi on July 24, 2010 at 12:12am
I am studying about the effect of light& shadow.
How to depict these feelings on the canvas.
I believe this is the fundamental of art.


Simplify light& shadow.

I think most difficult is to depict the color of dark side.
And paint reflection properly.
And lay on good color between light and shadow side.
Paint light side is not difficult.
This side is plain .
Easy to see.

I think not a few arts are quite confused about this.
Light&shadow.
Light side shold be brighten up,and dark side should be darken up.
But do not too brighten,do not too darken.
And also do not darken the light side.and do not brighten the shadow side.

Lay on color properly ,Simple but difficult.
Simple is difficult.
Comment by RORO on December 18, 2009 at 1:37pm
Best wishes for happy holidays and New Year. May 2010 be a year full of Love, Good Health, Abundance, Success and Creativity.
Best Regards,
RORO

Je vous souhaite à tous d’excellentes fêtes de fin d’année. Que cette nouvelle année 2010 soit pleine d’Amour, de Santé, d’Argent, de Réussite, de Succès et de Créativité.
Cordialement
RORO
Comment by Thomas Hodges on December 10, 2009 at 7:33am
RORO, have you joined my group: http://www.b-uncut.net/group/artgalleriesandartistsrepresentatives ? If not, come and join, it may be helpful to you, if not immediately, certainly at some stage.
Comment by RORO on November 26, 2009 at 5:34pm
Bonjour,
Je recherche des Galeries serieuses en France (PARIS, LYON, TOULOUSE, CANNE, etc) pour exposer mes toiles et me representer
Merci, mon email est roropeintresculpteur@gmail.com
RORO
Comment by Kelvin Harvey on October 23, 2009 at 7:44am
Galleries, lack of interest, no surprises there, in my experience most are nothing more than shopkeepers with minimal interest in either art or artists. They see artists as an expoitable resourse, free stock and the kudos of self elevation in the business community of owning a "Gallery". In recent months I have been contacted by galleries from Madrid, Moscow and Florence who wish to take my work, upon investigation into the contracts ofered, they actually wanted money from me!, amounts from 420 to 1500 euros. For an insight into the more established smart end of the gallery scene, read the slightly tongue in cheek monthly piece called 'Off The record' in 'ArtReview' that really shows the galleries for what they are. I'm sure there may be some genuine owners and operators out there, but my experience and the evident lack of presence in this group speaks volumes. At the end of the day Artists must take responsibilty and open up their own routes to market, by forming cooperative groups, artist led initiatives linked together to form a cohesive partnership to lobby goverment and regional funders for direct access to fiscal funding and cut out the Quango's that currently exist to 'manage' the so called 'creative sector'. That's me on a soap box, anyone else got any thoughts....
Comment by Hubert Cance on October 22, 2009 at 9:25am
Thomas is fully right, and I see one more reasons (if they are like the editors and publishers that I am knowing so (too) well: the worried about to be over-solicitated. I mean, they receive plenty offers from artists and either they choose to read all and to try to see if one of the emails, letters or files correspond to what they are searching for, either they decide to consider all as spams and to search by themselves... This is a shame, as they could miss someone, but have they any choice? Until now, all my publishers, and the gallerists who publish or show my art had been contacting me by themselves after having see my art somewhere else (I start to be published in fanzines for free, far before having a website to show my art), except one that I was calling about news concerning his magazine and who was amazed that one of his "favorite" artist could be affordable for his publishing house... He is now my main publisher.
Well, this is probably why I am not good to sell myself and my art to galerist: I just don't know how to do, having never had to do it before, and the Fine Art world being even more difficult to penetrate. Myabe would I just need a dynamic agent to do it for me... If this is existing...
Comment by Thomas Hodges on October 22, 2009 at 9:10am
This Group has become static, and the reason is obvious, it is dominated by artists, with zero gallerists ! Is there a way that b-uncut can identify and communicate with gallerists, encourage them to become part of this network ? As always, gallerists generally tend to run from this kind of site, not wishing to put themselves into an ambiguous situation. What a pity !
Comment by anil kumar kohli on October 21, 2009 at 11:14pm
Hi...friends ,Many greeting from INDIA ,I hope we share goodness and kindness each other.Lovely to meet u all.
Comment by kara cardinale on August 5, 2009 at 9:01am
I think it was in the painters group yesterday that someone was commenting that Picasso's work was geometric in scope and lacked soul and here we're using Warhol as example of talent, art versus materialsm. Whaat's interesting is that even the most ardent Pcasso lovers would agree that he became a machine in his later years producing for profit. And Warhol well he never pretended not to revere money, fame and materialism its what his art was about.
Comment by Hubert Cance on August 3, 2009 at 12:45pm
Hello!

I just succeed today to find time to upload photos on my page, and would be happy to read your comment.

Hoping that you would like it,
Friendly,
Hubert.
 

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